Showing posts with label best books. Show all posts
Showing posts with label best books. Show all posts

Thursday, December 24, 2009

Once Again!


Twice as many books this year, so a handy summary is in order!

Worst Fiction of 2009:

10.
Jeff in Venice, Death in Varanasi by Geoff Dyer
9. The Murder of King Tut by James Patterson and Martin Dugard
8. The Kindly Ones by Jonathan Littell
7. Chronic City by Jonathan Lethem
6. Nobody Move by Denis Johnson
5. Under the Dome by Stephen King
4. Asterios Polyp by David Mazzucchelli
3. The Collected Works of P. S. Spivet by Reif Larsen
2. How to Sell by Clancy Martin
1. Let the Great World Spin by Colum McCann, Zeitoun by Dave Eggers

Worst Nonfiction of 2009:

10.
The American Civil War by John Keegan
9. Imperial Cruise by James Bradley
8. The Unlikely Disciple by Kevin Roose
7. Superfreakonomics by Steven Levitt and Stephen Dubner
6. Byron in Love by Edna O'Brien
5. The Wauchula Woods Accord by Charles Siebert
4. Eating Animals by Jonathan Safran Foer
3. The Book of Genesis, illustrated by R. Crumb
2. Signature in the Cell by Stephen Meyer
1. Digital Barbarism by Mark Helprin, The Tyranny of Email by John Freeman

The Best Fiction of 2009:

10.
The Song is You by Arthur Phillips
9. A Day and a Night and a Day by Glen Duncan
8. Roanoke by Margaret Lawrence
7. American Rust by Philipp Meyer
6. Sag Harbor by Colson Whitehead
5. How I Became a Famous Novelist by Steve Hely
4. The City and the City by China Mieville
3. Lowboy by John Wray
2. Girl Mary by Petru Popescu
1. Wolf Hall by Hilary Mantel, The Childrens Book by A.S. Byatt

The Best Nonfiction of 2009:

10.
Endless Forms by Diana Donald and Jane Munro
9. The Annotated Origin by James Costa
8. Empire of Liberty by Gordon Wood
7. The Landmark Xenophon's Hellenika, edited by Robert Strassler, translated by John Marincola
6. Meriwether Lewis by Thomas Danisi and John Jackson
5. Worlds Made By Words by Anthony Grafton
4. Three Victories and a Defeat by Brendan Simms
3. National Geographic Image Collection
2. Marcus Aurelius by Frank McLynn
1. Following the Water by David Carroll, The Greeks and Greek Love by James Davidson

Up next, by popular demand: a few more lists to round out the year!

Monday, December 21, 2009

Best Books of the Year! Nonfiction!


The Best Nonfiction of 2009:



10. Endless Forms, edited by Diana Donald and Jane Munro - The central idea behind this stunning volume is simple and undeniable: great ideas manifest far outside their native spheres. The great idea in this case is Charles Darwin's theory of evolution by natural selection, and since both Darwin and that theory had an anniversary in 2009, the large number of corollary volumes was predictable - but even so, I didn't expect the generally steep level of quality among them, and I certainly didn't expect that two of them would make my top ten! Nevertheless, there it is: this book is an amazing evocation of the far-flung ripple-effects Darwin's theory had on the various realms of the plastic arts. It's an indispensable addition to any Darwiniana library. And speaking of which!


9. The Annotated Origin by James Costa - The idea here is also very simple: let a passionate, knowledgeable guide walk readers through Darwin's great masterpiece, illuminating everything, explaining everything, and ultimately celebrating everything about the book - and in the process reminding us all of two salient Darwin features we sometimes tend to forget: first, that he was himself a passionate guide, enthusiastically studying the teeming world around him, and second, that he was the practitioner of a fine, strong Victorian prose style, well worth reading in its own right. It's difficult to see how this book could be annotated better - everybody who's ever read the thing should read it again in this volume.



8. Empire of Liberty by Gordon Wood - The Oxford History of the United States continues from triumph to triumph with this latest volume, studying the newborn Republic from the problem-fraught aftermath of the Revolution's victory to the problem-fraught aftermath of the War of 1812. And the triumph here extends to a personal dimension as well, since this immense volume represents the chief and glorious masterpiece of redoubtable American historian Gordon Wood, who here displays all the qualities that have made so many of his books towering classics of the genre: a complete mastery of exhaustive sources, an irrepressible curiosity about all aspects of the years he's examining, and a sly wit throughout. No serious reader of American history can afford to miss this grand synthesis. And speaking of which!


7. Three Victories and a Defeat by Brendan Simms - Here is another incredibly vigorous synthesis, the kind of narrative history that's as much thought-driven as fact-driven. Simms does so much right in this plump volume that it's hard to decide what he does best of all - there are deft and exciting summaries of military activity, there are wonderful three-dimensional vignettes starring virtually all the marquee names of the time, and on top of everything, the House of Hanover finally gets some of the credit it deserves! Simms re-thinks quite a bit about England's history throughout the long 18th century, and even in those few instances where he's implausible, he's still and always thought-provoking. This book and Empire of Liberty are pretty much exactly the way history should be written.


6. Worlds Made By Words by Anthony Grafton - There will, of course, always be a place on my year-end list for sui generis works that shine with their own quirky brilliance, and Grafton's book is certainly one of those! This is a knotty, uncompromisingly intellectual collection of a type we can legitimately fear we may not see again, a book written in high style by a man who was living a scholar's life when card catalogs were Wikipedia and actual work was required to distill knowledge from books. Not that Grafton displays any of the bitterness predictable in a dinosaur (some of that, just possibly, might be coming from me...) - one of his book's concluding sections, on the Internet and digital knowledge, is as lively and inviting a look at the future as anybody could ask for. Rather, this book's inadvertent advocacy is for a joyful, engaged rigor - in academia, in theory, and most of all in reading - and I can't help but wonder if rigor's day is over, regardless of champions like this one.


5. The Landmark Xenophon's "Hellenika" - edited by Robert Strassler, translated by John Marincola - Certainly scholarship's day isn't done - at least not yet! Once again, Robert Strassler has overseen the creation of a masterpiece. He's followed The Landmark Thucydides and The Landmark Herodotus with this masterful, hugely satisfying volume, which contains not only a new translation (a fluid piece of work by John Marincola, instantly surpassing all previous English language versions) of Xenophon's vital, forceful war story but an appendix of interesting essays and a lavish undergrowth of notes. That this volume of Xenophon should get the Strassler treatment instead of better-known works of classical history makes me secretly hope these magnificent volumes will become an established series. I'd trade a slightly used middle-aged basset hound for The Landmark Livy, for instance.




4. Meriwether Lewis by Thomas Danisi and John Jackson - This is by far the best biography of the serious, sexy, dangerous half of the Lewis & Clark expedition, the eternally puzzling and contradictory Meriwether Lewis. Danisi and Jackson have combed through archives, studied letters, and most importantly done a lot of thinking about what their sources are really telling them - and the result is a thoroughly invigorating biography of a young man who would certainly have become President, had he lived (the authors also tackle head-on the problems involved in that innocent-sounding 'had he lived' by digging deep into the mystery of why he didn't).



3.National Geographic Image Collection - After a hundred and something years of continuous perfection, it's become a trifle pat to cite National Geographic for that very quality - but what other words applies to this latest collection of photos? The selections here span the whole long range of the magazine's life, including many incredible shots never seen by readers. The overall effect, after turning the pages and studying in awe the images, is that of being a bystander by the ramp as Noah's Ark is emptied after landfall. Here is the gorgeous, quirky, magnificent panoply of life on Earth, parading before us for what may be the last time - and as usual, National Geographic is there. This big, beautiful book is the closest you can come to a single representation of all those stacks of yellow-spined magazines your grandparents have it their attic. It's a book full of wonders.



2. Marcus Aurelius by Frank McLynn - There's something extra satisfying about a very thorough, very energetic author taking on a very famous, much-researched figure from history and making that figure fresh and new. That's just what veteran biography McLynn has made a career of doing, and that's just what he does to extremely impressive effect in this big, definitive biography of the philosophical Roman emperor Marcus Aurelius. The title of the book could easily be 'Marcus Aurelius: His Life and Times,' because readers get a very generous overview of the social, political, and intellectual world in which the emperor was born, grew, and ruled. And the portrait of the man himself is not only equally full but also, charmingly, very much a McLynn production. Our author is distinctly in favor of titans from history being first and foremost human beings - his Marcus Aurelius will become your Marcus Aurelius too.




1. Following the Water by David Carroll, The Greeks and Greek Love by James Davidson - Year-end roundups like this one always like to spot trends, and every time somebody else does it, I always think it's just so much bunkum. But there's no denying the vast and invasive ways the Internet is changing the nature of books, especially nonfiction books. An excellent example would be the recent book Owl by Desmond Morris, a book that might well have made this list a decade ago. It stood no chance of doing so this year because it was only a book. Only a book! But hear me out: Owl was a dutiful trot through the natural history of the birds and their major appearances in world literature. It featured a hundred common-property photos of owls. In other words, every single one of its prospective readers could have acquired all its information and seen all its visuals by consulting the Internet. If you've produced the exact equivalent of a Wikipedia or Google Image search, you've produced something that's asking for its own extinction - something that's only a book. You can keep doing that in the Internet Age, certainly - but if you do, you can't complain when your readers vanish and your publisher deserts you. The best books have always been more. We'd be crazy to go to Herodotus for facts, but we keep reading Herodotus, and happily. Likewise with the two books that share the top spot for Nonfiction this year at Stevereads: both are constructed on vast amounts of research, but both are unabashedly personal books. It's easier to spot in David Carroll's poetically moving latest account of his life out wading in turtle-haunted backwaters - this book is full of personal moments, and it's only when you're done with it that you realize how much you've learned. Davidson, in his enormous masterwork study of love between men in ancient Greece, takes the mirror-image of this approach: his prodigious learning is everywhere, on every page, and it's only when you're finished that you realize how personal a book you've just read. Both Carroll and Davidson have always made art out of that combination, and 2009 saw the very best books to date from both of them - and the two best new books I read this year.

And there you have it, ladies, gentlemen, and manatees! The Stevereads Best and Worst of 2009! Hope it was as much fun to read as it was to write!

Best Books of 2009! Fiction!

2009 displayed an epic lineup of new novels from old hands at the form: we had new works from Margaret Atwood, Mary Gaitskill, A.S. Byatt, E. L. Doctorow, John Irving, Thomas Pynchon, Richard Powers, William Trevor, Pete Dexter, Richard Russo, J.M. Coetzee and a list of other luminaries, almost all of whom disappointed in some way or other. And there's a certain kind of balance to be found in the fact that much of the year's best fiction was written by far less familiar names. It's enough to make you think that in 2009 we saw not an unprecedented assembly of established writers but the birth of a new pantheon. If so, I say bring it on - when Thomas Pynchon makes a promotional video for his slight, charming new novel, it's clearly time for a new pantheon. Here are the real winners of 2009, by my lights:


10. The Song is You by Arthur Phillips - Don't let the emo cover photo fool you: this is a smart, funny, and above all happy novel, every bit as quotable and music-obsessed as Phillips' other books would lead you to expect, but with an added breadth of both maturity and narrative command. I cheered inside at the end of this book - and although I had the same reaction at the end of The Egyptologist, in this case I was cheering because the book made me happy, not because it was finally over.


9. A Day and a Night and a Day by Glen Duncan - There's a surprisingly amount going on in this slim novel, but its dramatic centerpiece is the slow, thoughtful, systematic torture of one man by another, complete with grotesque physical violence and complex verbal sparring. Both the victim and his torturer are instantly memorable characters, propelling this novel far beyond anything Duncan has previously shown us. There's a thoroughgoing indictment of George W. Bush and Dick Cheney here, but there's no ripped-from-the-headlines triviality - this is more parable than parody, and its dark lessons will still be electric fifty years from now.



8. Roanoke by Margaret Lawrence - This lean, dodgy Elizabethan historical novel succeeds where so many countless thousands of novels set in the same time period have failed because it never takes anything about its readers for granted - it earns every dramatic payoff through precise realization of scenes and characters, not through lazy reliance on 'Good Queen Bess' to carry the bulk of the weight. I can't call it the best Tudor novel of the year (that spot's taken!), but I can and will fudge things a bit and call it the best Elizabethan novel of the year!




7. American Rust by Philipp Meyer - This bleak, elliptical novel about tragedy overtaking two young men in Nowhere, Midwest America was unfairly ignored for all the year's major literary awards, despite being tautly plotted and knowingly executed to a degree few novels this season could approach, let alone equal. Perhaps the problem was the setting: most two-books-a-week literate Americans know more about the society of Dune (or Hogwart's) than they do about the various kinds of low-rent dead-ends Meyer so perfectly evokes. If so, it's the readers' loss; this is a stark, memorable book.



6. Sag Harbor by Colson Whitehead - Another strong, remarkable book, fleet and funny, Whitehead's latest and best novel was misunderstood right out of the starting-gate by most critics, who were so busy describing how little the book works as a racial manifesto that they failed to report on how well it works as a witty, assured bildungsroman. It's unthinkable that critics would have been so confused if Whitehead and all his characters were white, and the confusion is a shame, because the realizations of love, bullshit, and summer in this book are pretty damn wonderful. Who knows how many people missed out on that while they were treasure-hunting for The Souls of Black Folk 2.0?



5. How I Became a Famous Novelist by Steve Hely - You read this novel the first time because of how laugh-out-loud funny it is. The story of a schmuck who decides to write a bestseller, the book does for the whole writing and publishing industry what Gulliver's Travels does for society: skewers it and serves it up over an open flame. Long after you've stopped laughing, scenes and screeds will stick with you - and you'll certainly never view commercially popular fiction of any kind the same way again.


4. The City and the City by China Mieville - The author of this fantastic, mind-working blend of police procedural and Twilight Zone hypothetical (two cities co-existing in the same physical space, and the mysterious law enforcement entity that keeps them from interacting) here strips his usually-ornate writing style down to lean, almost telegraphic basics - which only serves to highlight both the poetry and the originality of his vision. In addition to being one incredibly gripping read, this book is also a near-perfect example of that rarest of rarities: a science fiction book that's perfect for people who hate science fiction. I'd say it's not possible for Mieville to top this performance, but I've said that about all of his previous books - and been wrong twice.




3. Lowboy by John Wray - This precisely written and ultimately very touching novel about a mentally disturbed teenager who's on the loose in the bowels of the New York, convinced that the world is about to end, works perfectly because it takes virtually none of the easy routes on offer: its policemen aren't morons or monsters, Lowboy is sweet but not Movie-of-the-Week redemptively sweet, and - in the toughest fictional move of all - his brittle, intellectual mother is never allowed to become a Medea stand-in. And the whole thing unfolds for the reader with such speed and confidence that the ending comes rushing up on you. Certainly the best work of fiction I read this year that wasn't a historical novel.




2. Girl Mary by Petru Popescu - And speaking of historical fiction, there's surely no suburb of that particular genre that sports more eyesores than Biblical historical fiction, so I naturally expected the worst from this novel about the young girlhood of the Virgin Mary. But Popescu's book is nothing short of marvellous - Defiant, free-thinking Mary comes alive in these pages, as does her much older husband Joseph and her most obstinate Suitor, Who quite literally won't take 'no' for an answer. These characters and this story couldn't be more familiar to Western readers, and yet they're all vitally, amazingly new in this book.




1. Wolf Hall by Hilary Mantel, The Children's Book by A. S. Byatt - In his own roundup of the year (and the decade)'s best fiction, Sam Anderson wrote that the 20-aughts showed the beginning of a literary trend toward fragmentation and diminution, that the age of big, heavily-plotted conventional novels may well be over, driven to fragmentation by blogs, blurbs, and tweets. If he's right (and I wouldn't bet against him - he's pretty smart), then the two best novels I read in 2009 are pure anachronisms - but oh, what glorious anachronisms! Byatt's opulently-detailed Trollopian look at two intertwining Victorian families and Mantel's brutally powerful narrative of the Thomas Cromwell's heyday in power have no patience whatsoever for the alleged disintegration of the reading mind: they present complex, compelling stories and demand that their readers concentrate and follow along. Those who do are in for two immensely satisfying reading experiences.

Up next: 2009's best Nonfiction!