Showing posts with label manhattan. Show all posts
Showing posts with label manhattan. Show all posts

Sunday, July 15, 2007

Such Agreeable Friends


Our book today is “Such Agreeable Friends” by Grace Marmor Spruch, and it stands as wondrous testimony to one fact above all others: libraries are not only the chief adornment of any civilization, but they are, all of them, the very place where serendipity calls home.

Even bookstores can’t claim that distinction: the arrangement of their wares is designed, after all, and the goal of the design is to separate you from your money.

Not so libraries, who are so unconcerned with such worldly matters that they arrange their stock according to alphanumeric systems so arcane that cracking them requires the skills of both the cryptologist and the math prodigy (someday, when there’s more time, we’ll regale you all with stories of the original category system for the Boston Atheneum ... it’s stuff to keep you up a-nights). A big city’s big library will baffle even frequent visitors, who will find themselves clutching a slip with call-letters scrawled upon it, wandering down one aisle and up another.

They may find their book unassisted or they may not (we here at Stevereads always succeed on first try, but lesser creatures - and you are all lesser creatures, remember - never have that luck), but in any case, magic happens along the way. Serendipity intervenes.

Books are found the searcher never guessed existed; books are found that never see the inside of the average used bookstore, let alone a retail shop concerned with a financial bottom line. It is a sight universal to libraries of any size: patrons, once intent on a specific errand, stopped, halted, ensnared in some aisle by a book that caught their eye and now holds their attention.

Such was our fate one stormy day when we found ourselves wandering the aisles of the public library of Philadelphia and came across “Such Agreeable Friends.”

The book is an entirely winning account of one Greenwich Village couple’s encounter with a group of wild squirrels in their fifth floor walk-up.

It starts innocuously enough, with a squirrel making an appearance inside the Spruch’s apartment and demanding food. Anyone who’s ever had a walk-up apartment in New York City can attest to the fact that New York squirrels are the most brazen, opportunistic, and even quarrelsome members of their much-maligned race. They take no guff, they ask no favors, and even their handout-begging in Central Park seems bossy and distracted. They are the superstars of the squirrel world, and they know it.

The Spruchs encounter these superstars head-on, and the result is a unique and thoroughly spellbinding example of amateur natural history at its best.

Amateur natural history meaning personal observations, without recourse to statistics or field hands or tracking collars. The best of natural history, really: a smart person with a simple and abiding passion for watching things. There are wonderful books written by humans who watched swans, cranes, snow geese, humpback whales, coyotes, African elephants, mountain gorillas, beavers, wolves, great white sharks, gulls, bumblebees, and of course dogs and cats - and all shall get their mentions here, in due time (after all, the Internet is eternal, and so are we). But right now, our matter is squirrels.

Inevitable, ubiquitous squirrels, simple, ordinary squirrels - except that the best amateur natural history makes you see things you’d previously ignored or dismissed, to find wonder in the mundane. Certainly for American city-dwellers, there can be no animal more mundane than squirrels: they skitter over every tree of every public park, they display their peculiar habits for every visiting tourist, and most people never given them a second thought.

Thank the gods the Spruchs in their fifth floor Washington Square walk-up gave squirrels a second thought, or we all would be lacking one singularly joy-inspiring book.

It begins simply: a few squirrels, a few nuts left out on a window sill - a novelty, really, although Grace Spruch admits readily to being a lifelong lover of animals:

“Creatures - all - have power over me. When I rode horses, they sensed immediately that I could never touch them with a twig, let alone kick them. They would ignore my entreaties and stop for lunch, long drinks. Murderous ones tried to rub me off - and out - on trees, or to decapitate me on low-lying branches. I had no power over them, I didn’t blame them. Why shouldn't they try to get rid of this burden on their back if they could? I spoil all animals rotten.”

Reading that last line, readers might think objectivity would be scarce in “Such Agreeable Friends,” but by a very happy chance, the exact opposite turns out to be the case. Spruch is a pushover, yes, and she gives all her squirrel guests somewhat goofy names designed for mnemonic ease, but when it comes to observing, she’s a natural-born naturalist, entirely scrupulous and eagle-eyed for every minor detail. Indeed, Spruch’s readers have two treats in store: first and foremost, that wonderful, personal, and very rare experience of sensing immediately that as a reader, you’re in good hands, and second, that she would rather not write at all than write one word that wasn’t accurate to what she watched every day.

It need hardly be stated that she immediately learned no two squirrels are alike. A cast of regulars begins to take shape, and as the squirrels become more accustomed to the handouts, they become more demanding (often waking the Spruchs by knocking on the window, on those mornings when the couple had the nerve to sleep in past ‘opening time’) and more bold (rummaging around, burying nuts in various locations around the apartment, and most charmingly, hanging around to consume their meals indoors, before rushing back out into the semi-wild world of Manhattan). Grace records it all in minute, charming detail, and the most charming thing about it all is the lack of deep philosophizing. If she can’t figure out why a squirrel is doing some peculiar thing (and, like humans, they do peculiar things all the time), she says so and moves on.

As with any regular cast of characters, certain individuals begin to stand out: gentle, unassuming Sweetie, wise and patient Notchko, calm and enterprising Slim, and above all a slightly weird, undeniably intense squirrel rather aptly named Genius. Grace is, as she’s told us, a softie for all animals, but the reader can’t help but come away from “Such Agreeable Friends” feeling that of all the one-pound little visitors to cross her path, Genius was the most special, the most memorable.

In the course of the book, the reader will learn a very large amount about the physiology and natural history of squirrels (Spruch unobtrusively sprinkles the results of her own research throughout the text), but it’s the book’s unapologetic compassion that stands as its single best feature. To those of us who’ve gone out and experienced it ourselves, she’s preaching to the converted when she writes:

“Some of the best things in life are indeed free. The pleasure to be derived from a gust of wind on a sunny spring day, the sight of a golden retriever looking back to see if you are following on the trail, the sight of the muscles on the shoulders of a sturdy little rodent, all are God’s gifts - joy to mankind. And the people who can experience these joys are blessed.”

So the next time you’re in your local library, look for “Such Agreeable Friends” and add it to the armload of other unlooked-for gems you’ve no doubt already found. You won’t be disappointed.

Wednesday, June 06, 2007

Bottomfeeder


Our book today is "Bottomfeeder" by B.H. Fingerman. It's his first novel, and it deals with a New Yorker named Philip Merman, who works nights at a series of dead-end jobs and has a pasty pale complexion.

The nighttime jobs and the pasty skin are connected, but not in the way you might think. They go together because Philip is a vampire, although that word is virtually never used in this zingy, addictive take on the urban undead.

As is the tiresome custom these days, Fingerman in his Acknowledgments thanks pretty much the entire Manhattan phone directory, but we here at Stevereads are acting under the impression that he actually wrote the book himself. So when he writes 'stay tuned,' we can hope for more such books from him.

Philip has over time evolved a (for want of a better word) moral code to supply his appetite (it's a conceit borrowed wholesale from Anne Rice's "The Vampire Lestat," although she's pretty much the only person in North America who doesn't get a shout-out in the Acknowledgments): he tries his level best to prey only on the worst dregs of humanity, hence the book's title.

Fingerman is no Tolstoy. The prose here is of a decidedly purple tint, but so overbrimming with feral intelligence that the reader will quickly acclimate and beging slumming it with abandon, succumbing to the guilty pleasure in much the same way Philip succumbs to his dark hunger. We mention this as a public service, since the book sports a blurb from Max Brooks, author of the genuinely well-written "World War Z" - readers coming to this book from that one are in for a very different reading experience. Different, but equally entertaining.

The zing and pop of Fingerman's prose is consistently smile-inducing, which is something that certainly can't be said for most genre fiction (and which might account for the way the book is packaged; you'll find it in the fiction section of your local Barnes & Noble, not in science fiction). There's a scene early on when a very hungry Philip is riding the late night subway, scanning the sparse occupants of his car for a potential victim. He discounts a number of people for various quirky reasons, then he settles his attention on a junkie:

"The junkie? Good lord, what a heinous specimen. A living - if you can call it that - billboard for the anti-drug lobby. I can see and smell the open sores on his emaciated arms and ankles from where I'm seated. He's a tall stringy ulcer of a man, junk sick and trembliing. His hair is a tangle of clotted, greasy, dirty blond, plastered down to his face. Occasionally his eyes pop open and look heavenward, his cracked lips mouthing a silent prayer. He looks like every portrait of Jesus on the cross you've ever seen, except he's wearing more clothes, less thorns. I've made my choice.
Junkie Jesus is going to die for my sins."

The novel's most prominent oddity - a character who feels like he was blown in from another book altogether - is Philip's cloying, annoying non-friend Shelley, who's like a cross between Allie McBeal and Anthony Blanche. At one point Shelley (who's convinced Philip is gay) brings up the subject of Monica, the wife who divorced Philip:

"'You're already on thin ice, Shel. The thinnest. Let's just pretend this is Who's Afraid of Virginia Woolf?, okay? Only substitute the word 'wife' for 'baby.' 'Don't talk about the wife, Martha.' Okay?'
'What kind of st-st-straight man would make a r-r-reference like that?'
'One who likes movies? What kind of stupid ...? What is it with you, Shel? Do you enjoy pushing my buttons? It's like you're trying to drive in a wedge with a fuckin' mallet.'
'I'm s-s-sorry. It's j-j-just that you're obviously quite vain, Phil. The cosmetic s-s-surgery b-b-bears that out. B-b-but only ever since Monica l-l-left you ...'
I don't like to think of her by name. I do, and often, but it always pains me. And I especially don't like hearing her name from his mouth. I pick Shelley up by the lapels and slam him into a wall as hard as I can. I'm actually holding him a few inches off the ground. He's gotten my blood up, riled me. I'm not that strong, especially between feedings, but he's a flyweight. He looks down at me, eyes wide, imploring. That's right. Maybe now you get it, Shelley. Maybe now you see why you shouldn't keep ticking me off. See how much trouble it could get you in?
'I could kill you so easily,' I hiss.
'I w-w-wish you w-w-would,' he whimpers. 'Oh God, I w-w-wish you w-w-would.'
Fucking Shelley.
He ruins everything."

The novel amounts to the misadventures of Philip and Shelley and swiftly delivers the reader to a satisfyingly indeterminate ending. Those of you who like your genre fiction guilty pleasures fast and funny could do much worse than to poke your nose into "Bottomfeeder."

But not before you read "World War Z," mind you. Dinner before desert, after all.