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The first is by the always-reliable Adrian Tomine. It's called “Summer Getaway,” and even in the mangled form in which it reached me (for once, my dogs can't be blamed – it was just sinfully crowded in the old Post Office box that day), you can see the beautiful simplicity of it: that thoroughly urban little girl we all instantly love, looking longingly at the steel-and-glass skyline of Manhattan as her cluelessly happy parents drive her away from the city. No cartoonish pyrotechnics are needed here – the great little point couldn't be clearer, or more true.
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The second is by Christoph Neimann, and it takes that simplicity even further. The piece is titled “Dropped Call,” showing us a shapely young beauty reclining poolside, looking down in alarm at her sinking cell phone. As with the Tomine cover, the genius here is the minimalism – that startled, upraised hand says more than most of the actual words in the issue.
The New Yorker can go months-long stretches without a memorable cover and sometimes a whole year without one as fantastic as these two, so I thought they deserved a moment's notice. We'll get back to the written word next time!
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